Analysis
directions are given on the handout. In brief, I want you to listen to
the pieces and explain how the modulation occurs, to the best of your
ability. You may discuss this as formally or informally as you like.
Below you will find the pieces with links to the recordings (for pieces in the textbook, you can find the excerpts on the textbook website. Remember, the student edition is HERE; use the "choose one" drop-down menu on the left to choose Chapter 20).
C. Schumann, “Ich stand in dunklen Träumen,” opening to m. 13. Example 20.4 in textbook,
full score and recording here (these give a better overall context; it’s a short piece).
J. Haydn, String Quartet op. 64, no. 2, Menuetto, mm. 1-14. Example 20.8; recording on Harmony in Context website.
E. Grieg, “The Death of Åse,” from Peer Gynt, mm. 1-16. Example 20.15; recording on Harmony in Context website.
J.S. Bach, Menuetto from French Suite no. 3, BWV 814. Recording.
Below you will find the pieces with links to the recordings (for pieces in the textbook, you can find the excerpts on the textbook website. Remember, the student edition is HERE; use the "choose one" drop-down menu on the left to choose Chapter 20).
W.A. Mozart, Piano
Sonata K. 333, i, mm. 1-16. Example 20.2; recording on Harmony in Context website.
C. Schumann, “Ich stand in dunklen Träumen,” opening to m. 13. Example 20.4 in textbook,
full score and recording here (these give a better overall context; it’s a short piece).
J. Haydn, String Quartet op. 64, no. 2, Menuetto, mm. 1-14. Example 20.8; recording on Harmony in Context website.
E. Grieg, “The Death of Åse,” from Peer Gynt, mm. 1-16. Example 20.15; recording on Harmony in Context website.
L.v. Beethoven, Piano
Sonata op. 2, no. 1, Menuetto. Recording.
W.A. Mozart, Piano
Sonata K. 284, iii, Theme. Recording.
J.S. Bach, Menuetto from French Suite no. 3, BWV 814. Recording.
F. Chopin, Prelude in C minor, op. 20, no. 20. Recording.
J. Brahms, "Die Wollust in den Maien", WoO 34, no. 11. Recording.
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