Recordings for new packet "More on Modulation"

Analyze any modulations in your assigned piece. Be prepared to give your best explanation of what keys are in the excerpt/piece, whether they are closely related, and how the composer shifts between the different keys.


Beethoven, Piano Sonata in C minor, op. 13 (“Pathetique”), ii (complete)

Beethoven, “Hoffnung” from Four Arias and a Duet, op. 82, no. 1 (complete)

Beethoven, Violin Concerto in D Major, op. 61, iii, mm. 273-296 (recording starts about 15 seconds before the printed excerpt, to give you a sense of the key/context)

Brahms, A German Requiem, i “Selig sind,” mm. 93-110

Haydn, String Quartet op. 74, no. 1, ii, mm. 134-156 (recording starts about 20 seconds before printed excerpt)

Haydn, String Quartet op. 74, no. 3, ii, mm. 1-10 (uses a chord we haven't learned yet, but still cool)

Schubert, Piano Sonata in B, D. 575, iv (Allegro giusto), mm. 1-38

Schubert, Mass in A-flat, D. 678, Agnus Dei, mm. 1-31
Score linked here.

Schumann, “Waldesgespräch” from Liederkreis, op. 39, no. 3 (complete). Here is a more legible copy of the score (p. 4 of the linked pdf).