Variation VI
Variation VI’s
melody is invariably made up of groups of sixteenth notes with a sixteenth rest
beforehand, giving that the sixteenth note is the basic pulse. The tempo shift
from the previous variations became much faster. Left hand moves lower than it
does in variation 5, with the right hand at times being higher. Essentially, the
middle range isn't the center of activity like variation 5. I find this one hard
to aurally relate to the original theme. A big rhythmic difference is that in
the theme it seems to be a lot of academic style, as opposed to in variation VI
with the consistent quarters in the right hand leading to the melodic
sixteenths. This variation sounds very playful to me.
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